Debutant Kalyaan’s writing and filmmaking might lack finesse but he makes up for it with confident narration, never letting the film slip into a lull.
Cast & Crew
Director: S. Kalyan
Actor: Prabhudeva, hansika motwani, Mansoor Ali Khan, Revathi, Yogi Babu, Rajendran, Ramdoss
Release Date: 06 Apr, 2018
Gulaebaghavali (2018) Tamil Review:
It has been a jiffy currently since the Tamil audience saw Prabhu Deva’s exquisite dance moves on the large screen. Prabhu Deva’s Gulaebaghavali, directed by Kalyaan, that discharged on weekday, loses no time in giving USA what we tend to want: Prabhu Deva blazes the flooring for a Tamil song. The song offers the lone bright spot for the primary half-hour, wherever the film offers a stormy version of however this caper moving-picture show would have maybe appeared on paper – a bunch of unreal, extraordinary, funny characters get along during a plot to steal a box jam-packed with jewels buried close to a temple within the twentieth century in British India.
Sounds great? certain. But, the fascinating set-up is quickly planar by sloppy writing within the 1st twenty minutes, wherever all we tend to see could be a procession of characters, introduced one by one – Masha (Revathy), Badri (Prabhu Deva), Viji (Hansika) – in AN completely unimaginative manner, before the film tries to tie them up into the most plot. it’s here that the film becomes interesting: a rather older con-woman named Masha, a young idol outlaw named Badri, beside the large boss’ clever pal Munish (played by Ramdoss) and a reasonably – we could say, budding and coming – outlaw named Viji, close to outsmart a much bigger gang’s efforts to create away with diamonds buried during a place referred to as Gulaebaghavali.
It is a movie that tries to evoke laughs, not simply by throwing funny characters into a significant plot, however conjointly laughs at itself. However, the matter is that a number of these characters ar very extraordinary – let’s say, Mottai Rajendran, World Health Organization plays Annachi, an area strongman, is therefore silly and ridiculous, that it’s tough to require the narrative seriously. Despite the misgivings, the film will manage to elicit a number of laughs. Actor Revathy as AN older con-woman is great. She seems entirely comfy within the stunt sequences, although she does not do abundant physically, as she infuses her character with energy and purpose. Prabhu Deva breezes through this film, whereas Hansika Motwani’s role demands quite what she typically will in films. She even features a few stunt scenes within the film.
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